Things I’m Verbing: Direct action, dirty hands and Asian-Americanness

Throughout my life, I have frequently had to yell at New Yorkers to stop writing, talking and behaving like 1) New York is the only real place on earth and 2) everyone knows and 3) cares about every little New York thing that’s happening in New York at any given second. But I have to indulge in this amazing story that will fill your heart with joy if you are in the know: We can now get Big Gay Ice Cream in grocery stores and indulge in the comforts of our own homes.

And hey, this isn’t entirely New York-centric — the pints are also coming to Philadelphia!

Okay, on to the real stuff.

  • A trio of incredible reporting and writing on Asian-American experiences.
    • First, 99 Percent Invisible did an episode about Manzanar, the World War II internment camp where American citizens of Japanese descent were rounded up and imprisoned in the name of national security. Honestly, I wept listening to this. The text and photographs that accompany the podcast are worth seeing on their own, but there’s always something so haunting about actually hearing oral histories.
    • For Catapult, Vanessa Hua reflects on her feelings of being “out-Asianed” at a San Francisco spa.
    • At the Nib, Malaysian-American cartoonist Shing Yin Khor asks, “What Would Yellow Ranger Do?” There is a straight line between Manzanar and the “innocent” racism she describes in this comic.
  • Meanwhile, the Atlantic‘s Adrienne LaFrance tells us how not to write about Hawaii.
  • From the Chicago Reader, KT Hawbaker-Krohn writes about protest as self-care, and why direct action feels better than consumerism. Pair her exploration of toxic masculinity and rape culture at the University of Iowa with Jess Zimmerman’s “Why Is Male Anger So Threatening?” for Dame.
  • I’m reconnecting with my love of stories about sustainability, which has, inevitably, brought me to the great Civil Eats. This article examines Letters to a Young Farmer, and what farming (speaking of direct action) means both timelessly and in the present.
  • Writing for American Anthropologist, Jonah Rubin deconstructs a viral image about media bias and news literacy, and what extreme political views actually mean about those who hold them. Follow up with famed/respected media critic David Carr’s syllabus for his “Press Play” master class on understanding the news.

Stay brave, friends.

Things I’m Verbing: Restorative justice, body blows and one globe-trotting chicken

The news waits for no one. I was so overwhelmed and buzzing with possibilities from an amazing four days at THREAD, the storytelling conference/workshop at Yale (that’s me up top experiencing VR for the first time!), that I was trying to find exactly the right in to discuss it here. Then one asshole committed an atrocity in Orlando, then another tried to one-up him at the Los Angeles Pride Parade, then Donald Trump outdid himself with just three words, an impressive feat on any number of terrible levels:

Thank goodness for the Tonys last night. And if you’re looking for the story par excellence to escape into, may I suggest the Dodo’s “Chicken Sails Around the World With Her Hot Dad“? It’s got everything, and I hope it brings a little light back into your world. The rest of today’s links are not nearly so fun.

  • I’ve been watching two stories about sexual assault gain traction in my Facebook feed especially. There’s the Stanford rapist Brock Turner sentencing outcry, and an exposé from the Chicago Reader on rampant harassment at a local theater going unchecked for years. These have led to a number of nuanced, thought-provoking considerations of what constitutes justice, all the more worth considering in the light of unspeakable acts like a mass murder at a gay bar.
    • Jes Skolnik writes about restorative justice, and something in her phrasing really struck me — that the violent act itself is one thing, but the injustice of the system endangering and failing so many more is what we can concretely fight.
    • Radiolab just started a spin-off miniseries about the Supreme Court, called More Perfect, and it’s truly worth your time. The first episode, “Cruel and Unusual,” is another exploration of how we try to enact vengeance or justice through the state, but can’t seem to reconcile the desire for the death penalty with the reality of how it comes to pass.
    • Two other writers took on the subtler cultural choices that have wracked various theater communities. As a one-time would-be improviser, I can absolutely confirm what Julia Weiss says about the language of sexual violence and misogyny in improv, and how real concerns get dismissed in the name of comedy. Meanwhile, Anthea Carns considers the way theater valorizes a certain kind of male anti-hero, and how those stories are considered “deep” and “meaningful” simply by dint of their aggressiveness.
  • Many outlets have reported that the incomparable Geena Davis will be producing a documentary on gender disparity in Hollywood; many others have noted with some outrage that the project has a male director. The Mary Sue gets to the bottom of both questions, and reminds us that we can’t dismiss true allyship while also demanding it. That said, pair with the Atlantic’s piece on why film studios no longer make live-action films starring young girls.
  • Meanwhile, Ars Technica takes us into an odd project that could put us all on our heels anyway: a short film written by an AI.
  • There’s been some incredible reporting lately about bodily trauma. First, NPR profiles the Iraq veteran who threw himself into researching the emblematic injury of that war, the TBI. Next, the New York Times Magazine asks whether PTSD might in fact have physical roots. Pair both of these with GQ’s initial look at concussions in the NFL.
  • We’re 10 days away from the vote that determines whether Great Britain will leave the European Union. The Nib is an excellent nonfiction cartoon and comics site, and since I went to THREAD to experiment with graphic novel-style journalism, check out their explanation of what Brexit could mean and what its supporters and detractors have to gain and lose.