For the next week, I have this problem: I want to be on the Internet, and particularly social media, but I also want to go into seeing Captain America: Civil War next Friday without having seen most of it in either leaked clips or people talking openly about spoilers. Concurrently, I’m also eager for any news at all about my favorite TV show, Agent Carter, and whether it’s been renewed. (Surely it would be terrible to cancel this amazing show while Peggy Carter’s surviving crew is dominating silver screens worldwide? Then again, I’m biased and think any circumstances under which we lose Agent Carter are terrible.)

So, I’m not quite in hiding, but I’m enacting any number of precautions to be sure I get my peak #TeamCap experience. Happily, this does mean I’ve found a lot of good stories I’ve enjoyed.

  • We’ve all learned a lot about Prince and the ways he changed the world. I had no idea Prince also lived with epilepsy; Karrie Higgins’ essay “Prince and the Sparkle Brains” is a deeply felt and movingly written look at disability and representation, and a must-read on every level.
  • I’m a big fan of lists, and having recently become a big fan of making comics, I was delighted when Science of Us underscored the benefits of drawing your to-do lists.
  • Pop culture is all superheroes all the time these days, except when it’s taking a breather in Westeros. The Imaginary Worlds podcast has a great episode about, well, the practical concerns of fantasy and sci-fi — namely, “The Economics of Thrones and Starships.”
  • The overlap in the Venn diagram of nerds and book-lovers is huge. LitHub has a nice entry in the ongoing genre of KonMari response pieces, “On the Heartbreaking Difficulty of Getting Rid of Books.” Pair with the Atlantic‘s more socially skeptical piece, “Marie Kondo and the Privilege of Clutter.”
  • This week a friend and I broke out some DVDs I own but had never watched: the early episodes of the ’80s Teenage Mutant Ninja Turtles cartoon, one of my most formative texts. A close analysis of the famous theme song led us to theorize that the Leonardo voice actor sings it. However, the truth was even better: The voice of a generation is a high-concept session artist named Jim Mandell. He spoke briefly to Dish Nation in 2014 about, among other things, his work as dieselpunk music visionary Miles Doppler. A great mystery of my childhood, solved at last — and weirder than I could have hoped.

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